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CREATIVE
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ARTISTS
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MANAGEMENT
Mark Edel-Hunt
- HEIGHT 6'0"
- HAIR Strawberry Blond(e)
- EYES Blue
| TITLE | ROLE | DIRECTOR | PRODUCTION |
|---|---|---|---|
| TELEVISION | |||
| THEATRE | |||
| FEATURE FILM | |||
| ALL THE LIGHT WE CANNOT SEE | The Gestapo Officer | Shawn Levy | Netflix |
| ROYAL MOB | Henry, Prince of Prussia | Fraser McDonald | SKY |
| LEOPOLDSTADT | Fritz Schmidt | Patrick Marber | Sonia Friedman Productions, Wyndham's, West End |
| CITY OF GLASS | Daniel Quin | Leo Warner | Home Theatre/ Lyric Hammersmith |
| ADLER AND GIBB | Sam | Tim Crouch | Royal Court Productions |
| RED VELVET | Charles Kean | Indhu Rubasingham | Kenneth Branagh Company, Garrick, West End |
| WHEN WE WERE WOMEN | Mackenzie | Eleanor Rhode | Orange Tree/Snapdragon |
| THE LATE MATTIA PASCAL | Mattia Pascal | Maria Gaitanidi | Raw Material |
| TIME AND THE CONWAYS | Robin Conway | Fiona Buffini | Nottingham Playhouse |
| TIME AND THE CONWAYS | Robin Conway | Fiona Buffini | Nottingham Playhouse |
| CLEOPATRA | Mark Antony | Mary Franklin | King's Head |
| THE AMERICAN PLAN | Gil | David Grindley | St James' Theatre |
| LATE IN THE DAY | Marin | Tom Hughes | The Reckless Moment |
| CHARIOTS OF FIRE | Aubrey | Ed Hall | Geilgud Theatre, West End |
| CHARIOTS OF FIRE | Aubrey | Ed Hall | Hampstead Theatre |
| THE IMPORTANCE OF BEING EARNEST | Algernon | Cordelia Monsey | The Rose Theatre, Kingston |
| THE IMPORTANCE OF BEING EARNEST | Jack | Iqbal Khan | Riverside Studios |
| THE SYNDICATE | Amedeo | Sean Mathias | Chichester Festival Theatre |
| BRONTE | Branwell Bronte | Nancy Meckler | Shared Experience |
| NORTHERN STAR | Wolfe Tone | Caitlin McLeod | Finborough Theatre |
| QUIZ | Christian | Gill Foley | Soho Theatre |
| THE IMPORTANCE OF BEING EARNEST | Algernon | Ellie Jones | The New Wolsey Theatre |
| BRIDESHEAD REVISITED | Sebastian's Friend | Julian Jarrold | Miramax Film |
| THE WHITE PRINCESS | Thomas Wolsey | Jamie Payne | Starz |
| AGAINST THE LAW | Lord Edward Montague | Fergus O'Brien | BBC2 |
| EPISODES | AJ | Jeffrey Klarik | Hat Trick Productions |
| CALL THE MIDWIFE | Anthony Newhouse | Juliet May | BBC |
| JONATHAN STRANGE AND MR NORRELL | William De Lancey | Toby Hayes | Cuba Pictures and BBC America |
| KIDNAPPED | Tom | Martha Constable | Prospect Pictures |
| MISTRESSES | Peter | Peter Hoar | Ecosse Films for BBC1 |
Skills
Accents & Dialects
Essex, RP, Sussex, American-Southern States, American-Standard, Belfast, Cockney, Dublin, Geordie, German, Heightened RP, Irish RP, Irish-Northern, Irish-Southern, Liverpool, London, Manchester, Northern, Scottish-Standard, West Country
Music & Dance
Flute, Period Dancing, Aerobics, Ballad, Ballroom Dancing, Baritone-High, Country Dancing, Flamenco, Folk Dancing, Folk Singing, Opera, Recorder, Tango
Sports
Horse-riding, Skiing, Stage Combat, Fencing, Horse-jumping, Yoga
Training
RADA
| TITLE | ROLE | DIRECTOR | PRODUCTION |
|---|---|---|---|
| ALL THE LIGHT WE CANNOT SEE | The Gestapo Officer | Shawn Levy | Netflix |
| ROYAL MOB | Henry, Prince of Prussia | Fraser McDonald | SKY |
| LEOPOLDSTADT | Fritz Schmidt | Patrick Marber | Sonia Friedman Productions, Wyndham's, West End |
| CITY OF GLASS | Daniel Quin | Leo Warner | Home Theatre/ Lyric Hammersmith |
| ADLER AND GIBB | Sam | Tim Crouch | Royal Court Productions |
| RED VELVET | Charles Kean | Indhu Rubasingham | Kenneth Branagh Company, Garrick, West End |
| WHEN WE WERE WOMEN | Mackenzie | Eleanor Rhode | Orange Tree/Snapdragon |
| THE LATE MATTIA PASCAL | Mattia Pascal | Maria Gaitanidi | Raw Material |
| TIME AND THE CONWAYS | Robin Conway | Fiona Buffini | Nottingham Playhouse |
| TIME AND THE CONWAYS | Robin Conway | Fiona Buffini | Nottingham Playhouse |
| CLEOPATRA | Mark Antony | Mary Franklin | King's Head |
| THE AMERICAN PLAN | Gil | David Grindley | St James' Theatre |
| LATE IN THE DAY | Marin | Tom Hughes | The Reckless Moment |
| CHARIOTS OF FIRE | Aubrey | Ed Hall | Geilgud Theatre, West End |
| CHARIOTS OF FIRE | Aubrey | Ed Hall | Hampstead Theatre |
| THE IMPORTANCE OF BEING EARNEST | Algernon | Cordelia Monsey | The Rose Theatre, Kingston |
| THE IMPORTANCE OF BEING EARNEST | Jack | Iqbal Khan | Riverside Studios |
| THE SYNDICATE | Amedeo | Sean Mathias | Chichester Festival Theatre |
| BRONTE | Branwell Bronte | Nancy Meckler | Shared Experience |
| NORTHERN STAR | Wolfe Tone | Caitlin McLeod | Finborough Theatre |
| QUIZ | Christian | Gill Foley | Soho Theatre |
| THE IMPORTANCE OF BEING EARNEST | Algernon | Ellie Jones | The New Wolsey Theatre |
| BRIDESHEAD REVISITED | Sebastian's Friend | Julian Jarrold | Miramax Film |
| THE WHITE PRINCESS | Thomas Wolsey | Jamie Payne | Starz |
| AGAINST THE LAW | Lord Edward Montague | Fergus O'Brien | BBC2 |
| EPISODES | AJ | Jeffrey Klarik | Hat Trick Productions |
| CALL THE MIDWIFE | Anthony Newhouse | Juliet May | BBC |
| JONATHAN STRANGE AND MR NORRELL | William De Lancey | Toby Hayes | Cuba Pictures and BBC America |
| KIDNAPPED | Tom | Martha Constable | Prospect Pictures |
| MISTRESSES | Peter | Peter Hoar | Ecosse Films for BBC1 |
Accents & Dialects
Essex, RP, Sussex, American-Southern States, American-Standard, Belfast, Cockney, Dublin, Geordie, German, Heightened RP, Irish RP, Irish-Northern, Irish-Southern, Liverpool, London, Manchester, Northern, Scottish-Standard, West Country
Music & Dance
Flute, Period Dancing, Aerobics, Ballad, Ballroom Dancing, Baritone-High, Country Dancing, Flamenco, Folk Dancing, Folk Singing, Opera, Recorder, Tango
Sports
Horse-riding, Skiing, Stage Combat, Fencing, Horse-jumping, Yoga
Training
RADA
“There is intensity, passion and intelligence in Mark Edel-Hunt’s delivery, but also enough stillness and melancholy to bring a humanity and balance to the role.”
A Younger Theatre
